Beautiful examples of shamanic ritual masks made by the Yup’ik people of southwestern Alaska

By Paul Pinkerton
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Yup’ik masks are expressive shamanic ritual masks made by the Yup’ik people of southwestern Alaska, and one of the most popular forms of native Alaskan art.

They are also known as Cup’ik masks among the Chevak Cup’ik dialect speaking Eskimos of Chevak, and Cup’ig masks among the Nunivak Cup’ig dialect speaking Eskimos of Nunivak Island.

The Yup’ik masks vary enormously but are characterized by great imagination. They are typically made of wood, and painted with few colors.

Dance mask of tunghat, Southwest Alaska Eskimo, acquired 1915.Source


Dance mask of tunghat, Southwest Alaska Eskimo, collected in Kushunuk in 1905.Source


Exhibit in the De Young Museum, San Francisco, California, USA.Source


Exhibit in the De Young Museum, San Francisco, California, USA. Yupik mask Source


Exhibit in the Houston Museum of Natural Science, Houston, Texas, USA.Source


Fish mask of the Yupi’k people.Source


Mask depicting the face of a tunghak (keeper of the game), Yupik Eskimo, Alaska, Yukon River area, late 19th century, wood and paint Dallas Museum of Art, Dallas, Texas; git of Elizabeth H. Penn,Source

The Yup’ik masks can be carved by men or women, but mainly are carved by the men. The shamans (angalkuq) were the ones that told the carvers how to make the masks.

Yup’ik masks could be any size from small three-inch finger masks or maskettes, to massive ten-kilo masks hung from the ceiling or carried by several people.

These masks are used to bring the person wearing it luck and good fortune in hunts. Over the long winter darkness, dances and storytelling took place in the qasgiq (communal, ceremonial houses) using these masks.

They most often create masks for ceremonies but these masks are traditionally destroyed after being used.

After Christian contact in the late nineteenth century, masked dancing was suppressed, and today it is not practiced as it was before in the Yup’ik villages.

Mask representing a fox or wolf from the Kuskokwim River region, Alaska, c. 1880 Source


Mask The Bad Spirit of the Mountain, Yupik Eskimo, late 19th century, 21.1 x 14.6 cm; Wood, paint, and feathers; from St. Michael, Alaska Dallas Museum of Art, Dallas, Texas; gift of Elizabeth H. Penn,Source




Mask from Kuskokwim Bay (wood, fur, straw, feather, leaf)Source


Shaman’s mask, Yupik people;Source


Stuttgart, Linden Museum.Source


Wooden mask in the form of a flatfish, mounted on a wooden ring with wooden pegs tied to the ring with sinew.Source


Yup’ik Eskimo Ivory Masks.Source


Yup’ik mask Alaska, wood – Sitka, Alaska, United States. Alaska State Museum . Presented during the exhibition La Fabrique des images.Source


Yup’ik sea lion mask, Alaska, Kuskokwim mouth; wood, painted Museum Rietberg, Zurich; donation of Eduard von der Heydt, inv.Source


While the Iñupiaq and Yup’ik Eskimos are culturally and ethnically related, separated only by language differences and geographical distance, they have developed distinct versions of similar traditional mask forms.

In the case of the Iñupiaq, masks are typically less elaborate than those made by their Yup’ik neighbors to the south-east, and usually smaller, covering only the face.